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100 Songs that Helped Bring Rockabilly into ExistenceThese 100 songs that helped bring rockabilly into existence were recorded from 1950 to 1959. When the songs were recorded there was no rockabilly. many of these artist began their careers as country singers. Others had blues roots but had been influenced by country music or their producers or label owners had some type of influence that brought them to understand country music. Most of the white artists who ended up making what was to be called rockabilly liked blues and were most likely influenced by blues artists. Some of the blues artists of the '40s and early '50s were Howlin Wolf, Muddy Waters, John Lee Hooker, Joe Turner, Lloyd Price, Junior Parker, Jimmy Reed, Slim Harpo, Sonny Boy Williamson, and Guitar Gable, to name a few. Many of the blues singers could be heard over WLAC radio in Gallatin, TN at Randy's Record Shop, and you could hear the blues from juke boxes in juke joints, not the safest places to get introduced to the blues. Some honky tonks had blues on the juke box mixed in with the country selections; it depended on who serviced them. The record companies wanted the record distributors to get as many records from their label on the juke box as possible. Some of the blues record companies of the '40s and '50s were Chess, Checker, Atlantic, Peacock, Duke, RPM/Modern, Excello, King/Federal, Class, Specialty, and Aladdin. The juke box had a variety of selections that ranged from country, pop, and blues. When you add gospel and bluegrass into the music mix you get a lot of variations. The young musicians of the '40s and '50s were experimenting with all kinds beats and different sounds: You add a note here, a chord there, tap you feet a little faster, sing the song to a different tempo, speed it up, slow it down ,add a little foot stomping slow grinding jive beat to the whole deal.Now you may have rockabilly; no one knew what it was. It was a creative time in America and a musical explosion was about to bust wide open. Someone in a musical laboratory was going to make history; hundreds were working on it. Jjumped-up-step-it-out-and-go recording had been released on the radio as country music but the perfect beat and sound with the right song and voice was not out yet. It soon would be. As in any race to the finish line, the guy that comes in first gets all the attention. That turned out to be Elvis Presley and his band, Scotty Moore and Bill Black, and his producer Sam Phillips. Yes, Sir, they got the trophy and from July 1954 they were the team to beat. From then on they had plenty of competition. Every musician close to Elvis' age was looking for the sound that he got there first with. After "That's Alright" every hill billy cat that could get into a recording studio was trying to duplicate the same sound as Elvis and the record companies were more than willing to help this new breed of hillbilly cat get the records to the radio stations and to the juke boxes. Elvis, Scotty, and Bill weren't the only musicians who could play what is now called rockabilly. There would be hundreds of thousands of recordings made. Many never made it far past the record pressing plant and were never removed from their shucks. Some recordings made it to the radio stations got played and many became all time hits. These 100 songs helped start a musical revolution that has stood the test of time down through the years, have become a part of our lives, and will be remembered as some the records that rockabilly possibly was born out of. They are listed from 1 to 100 and in no order as they are all equal as historical value. I hope you enjoy your trip down rockabilly memory lane. -- Widmarc Clark -- |
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